Real Life Of Lata Mangeskar

IT,S REAL LIFE OF LATA MANGESKAR

2. WE FEEL GREAT PLEASURE TO WE FEEL GREAT PLEASURE TO
INTRODUCE ABOUT LATA INTRODUCE ABOUT LATA
MANGESKAR JI, SHE IS THE MANGESKAR JI, SHE IS THE
HEART OF INDIAN MUSIC HEART OF INDIAN MUSIC

3. LATA MANGESKAR IS ONE OF THE BEST LATA MANGESKAR IS ONE OF THE BEST
SINGERS OF HINDI FILM INDUSTRY. SHE IS SINGERS OF HINDI FILM INDUSTRY. SHE IS
LISTED IN THE GUINNESS BOOK OF WORLD LISTED IN THE GUINNESS BOOK OF WORLD
RECORDS AS THE MOST RECORDED ARTIST IN RECORDS AS THE MOST RECORDED ARTIST IN
THE WORLD. IT IS ESTIMATED THAT SHE HAS THE WORLD. IT IS ESTIMATED THAT SHE HAS
MORE THAN 30,000 SOLO, DUET AND CHORUS MORE THAN 30,000 SOLO, DUET AND CHORUS
BACKED SONGS IN 20 DIFFERENT LANGUAGES BACKED SONGS IN 20 DIFFERENT LANGUAGES
FROM 1948 TO 1987.FROM 1948 TO 1987.

4. NOW IT MUST WAY OVER 40,000, LATA NOW IT MUST WAY OVER 40,000, LATA
MANGESKAR WAS BORN ON 28MANGESKAR WAS BORN ON 28
thth

SEPTEMBER 1929,IN A PLACE CALLED SEPTEMBER 1929,IN A PLACE CALLED
INDORE.HER FATHER DINANATH INDORE.HER FATHER DINANATH
MANGESKAR WAS A RENOWNED MANGESKAR WAS A RENOWNED
CLASSICAL SINGER HIMSELF.LATA WAS CLASSICAL SINGER HIMSELF.LATA WAS
INTRODUCED TO MUSIC AT A VERRY INTRODUCED TO MUSIC AT A VERRY
YOUNG AGEYOUNG AGE..

5. THE LIFE HISTORY OF LATA MANGESKAR IS THE LIFE HISTORY OF LATA MANGESKAR IS
TRULY FASCINATING. LATA MANGESHKAR WAS TRULY FASCINATING. LATA MANGESHKAR WAS
VERY YOUNG WHEN HER FATHER PASSED VERY YOUNG WHEN HER FATHER PASSED
AWAY, THUS MAKING THE FAMILY DEPENDANT AWAY, THUS MAKING THE FAMILY DEPENDANT
ON LATA. TO TAKE CARE OF HER FAMILY'S ON LATA. TO TAKE CARE OF HER FAMILY'S
ECONOMIC SITUATION, LATA ACTED IN AS ECONOMIC SITUATION, LATA ACTED IN AS
MANY AS 8 FILMS FROM 1942 TO 1948MANY AS 8 FILMS FROM 1942 TO 1948. . SHE SHE
DEBUTED AS PLAYBACK SINGER INDEBUTED AS PLAYBACK SINGER IN MARATHI MARATHI
FILM NAMED KITI HASAAL (1942).FILM NAMED KITI HASAAL (1942).

6. UNFORTUNATELY THE SONG WAS UNFORTUNATELY THE SONG WAS
EDITED OUT. HER FIRST HINDI EDITED OUT. HER FIRST HINDI
PLAYBACK WAS FOR THE FILM AAP KE PLAYBACK WAS FOR THE FILM AAP KE
SEWA MAIN (1947) BUT SHE DID NOT SEWA MAIN (1947) BUT SHE DID NOT
GET NOTICED. AT THAT TIME, THE FILM GET NOTICED. AT THAT TIME, THE FILM
INDUSTRY WAS RULED BY FEMALE INDUSTRY WAS RULED BY FEMALE
SINGERS WHO HAD HEAVIER AND SINGERS WHO HAD HEAVIER AND
HUSKIER VOICES LIKE NOOR JEHAN, HUSKIER VOICES LIKE NOOR JEHAN,
SHAMSHAD BEGUM AND ZOHRABAI SHAMSHAD BEGUM AND ZOHRABAI
AMBALEWALI. WHILE AUDITIONING FOR AMBALEWALI. WHILE AUDITIONING FOR
THE MOVIE SHAHEED (1948)THE MOVIE SHAHEED (1948)

7. SHE WAS REJECTED ON THE ACCOUNT OF HER SHE WAS REJECTED ON THE ACCOUNT OF HER
THIN VOICE! BUT GHULAM HAIDER SAW THE THIN VOICE! BUT GHULAM HAIDER SAW THE
POTENTIAL IN HER AND GAVE HER A CHANCE POTENTIAL IN HER AND GAVE HER A CHANCE
TO SING IN THE FILM MAJBOOR. THE SONG TO SING IN THE FILM MAJBOOR. THE SONG
DIL MERA TODA FINALLY GOT HER NOTICED DIL MERA TODA FINALLY GOT HER NOTICED
AND IT WAS TOUTED AS HER BREAKTHROUGH AND IT WAS TOUTED AS HER BREAKTHROUGH
SONG. IN 1949, SHE HAD FOUR MAJOR HITS SONG. IN 1949, SHE HAD FOUR MAJOR HITS
FROM THE FILMS BARSAAT, ANDAAZ, DULARI FROM THE FILMS BARSAAT, ANDAAZ, DULARI
AND MAHAL.AND MAHAL.

8. THE SONG "AAYEGA AANEWALA" FROM MAHAL THE SONG "AAYEGA AANEWALA" FROM MAHAL
WAS A HUGE HIT AND LATA SECURED A FIRM WAS A HUGE HIT AND LATA SECURED A FIRM
POSITION IN THE INDUSTRY. THE HUSKY POSITION IN THE INDUSTRY. THE HUSKY
VOICES OF ALL OTHER SINGERS BECAME VOICES OF ALL OTHER SINGERS BECAME
OBSOLETE IN FRONT OF THE HIGH PITCHED OBSOLETE IN FRONT OF THE HIGH PITCHED
VOICE OF LATA MANGESHKAR.VOICE OF LATA MANGESHKAR. THE MUSIC THE MUSIC
INDUSTRY HAD A HUGE MAKEOVER WITH THE INDUSTRY HAD A HUGE MAKEOVER WITH THE
ARRIVAL OF LATA MANGESHKAR.ARRIVAL OF LATA MANGESHKAR.

9. BY THE LATE 50'S, THE YOUNGER SISTER OF BY THE LATE 50'S, THE YOUNGER SISTER OF
LATA MANGESHKAR KNOWN AS ASHA BHONSLE LATA MANGESHKAR KNOWN AS ASHA BHONSLE
ALSO CAME INTO THE SCENE AND THEY BOTH ALSO CAME INTO THE SCENE AND THEY BOTH
WERE TOUTED AS THE UNBEATABLE VOICES WERE TOUTED AS THE UNBEATABLE VOICES
OF THE INDUSTRY. OF THE INDUSTRY.
LATA ROSE TO FAME RAPIDLY AND MADE HER LATA ROSE TO FAME RAPIDLY AND MADE HER
INDELIBLE MARK IN THE INDUSTRY. SHE HAS INDELIBLE MARK IN THE INDUSTRY. SHE HAS
SUNG WITH FAMOUS SINGERS LIKE SUNG WITH FAMOUS SINGERS LIKE
MOHAMMED RAFI, KISHORE KUMAR, MUKESH, MOHAMMED RAFI, KISHORE KUMAR, MUKESH,
ETC. SHE HAS PERFECTED ALMOST EVERY ETC. SHE HAS PERFECTED ALMOST EVERY
GENRE OF MUSIC.GENRE OF MUSIC.

10. HER SUCCESS AND DETERMINATION MADE HER SUCCESS AND DETERMINATION MADE
HER ONE OF THE MOST POWERFUL WOMEN IN HER ONE OF THE MOST POWERFUL WOMEN IN
THE INDUSTRY. SHE REFUSED TO SING FOR THE INDUSTRY. SHE REFUSED TO SING FOR
THE GREAT COMPOSER S.D BURMAN DUE TO THE GREAT COMPOSER S.D BURMAN DUE TO
SOME MISUNDERSTANDING AND ALSO SOME MISUNDERSTANDING AND ALSO
STOPPED SINGING WITH MOHAMMED RAFI. STOPPED SINGING WITH MOHAMMED RAFI.
HER POWER WAS SO IMMENSE THAT THEY HER POWER WAS SO IMMENSE THAT THEY
HAD TO COME BACK TO HER. SHE ACTUALLY HAD TO COME BACK TO HER. SHE ACTUALLY
MONOPOLIZED THE MUSIC INDUSTRY AND MONOPOLIZED THE MUSIC INDUSTRY AND
EVERY MUSIC DIRECTOR WANTED TO WORK EVERY MUSIC DIRECTOR WANTED TO WORK
WITH HER.WITH HER.

11. LATA MANGESHKAR HAS BEEN HONORED WITH LATA MANGESHKAR HAS BEEN HONORED WITH
INNUMERABLE AWARDS BUT THE ONE THAT INNUMERABLE AWARDS BUT THE ONE THAT
TRULY DESERVES A SPECIAL MENTION IS THAT TRULY DESERVES A SPECIAL MENTION IS THAT
SHE IS THE ONLY SECOND SINGER IN THE SHE IS THE ONLY SECOND SINGER IN THE
NON-CLASSICAL CATEGORY (AFTER M.S NON-CLASSICAL CATEGORY (AFTER M.S
SUBBULAKSHMI) IN INDIA TO HAVE RECEIVED SUBBULAKSHMI) IN INDIA TO HAVE RECEIVED
THE HIGHEST CIVILIAN AWARD, BHARAT THE HIGHEST CIVILIAN AWARD, BHARAT
RATNA.RATNA.

12. SHE HAS RECEIVED THREE NATIONAL AWARDS SHE HAS RECEIVED THREE NATIONAL AWARDS
AND EIGHT FILMFARE AWARDS AFTER WHICH AND EIGHT FILMFARE AWARDS AFTER WHICH
SHE STOPPED ACCEPTING AWARDS IN ORDER SHE STOPPED ACCEPTING AWARDS IN ORDER
TO PROMOTE NEW TALENT. SHE CONTINUES TO PROMOTE NEW TALENT. SHE CONTINUES
TO SING EVERY NOW AND THEN FOR HINDI TO SING EVERY NOW AND THEN FOR HINDI
MOVIES AND PERFORM LIVE. TRULY A LIVING MOVIES AND PERFORM LIVE. TRULY A LIVING
LEGEND, LATA MANGESHKAR HAS A TALENT LEGEND, LATA MANGESHKAR HAS A TALENT
THAT IS SECOND TO NONETHAT IS SECOND TO NONE..

13. MOST FAMOUS SONG OF LATA MOST FAMOUS SONG OF LATA
MANGESKARMANGESKAR
AI MERE WATAN KE LOGOAI MERE WATAN KE LOGO
MOHE BHUL GAYE SAMWARIYAMOHE BHUL GAYE SAMWARIYA
AAJA RE PARDESIAAJA RE PARDESI
KAHIN DEEP JALE KAHIN DILKAHIN DEEP JALE KAHIN DIL
JO WADA KIYA WO NIBHANA PADEGAJO WADA KIYA WO NIBHANA PADEGA
RASIK BALMARASIK BALMA
MUJHE KUCHH KAHNA HAIMUJHE KUCHH KAHNA HAI
HUM BANE TUM BANE EK DUJE KE LIYEHUM BANE TUM BANE EK DUJE KE LIYE

14. I WILL SHOW YOU SOME MOST I WILL SHOW YOU SOME MOST
POPULAR PIC OF LATA POPULAR PIC OF LATA
MANGESKAR.MANGESKAR.

15. LATA MANGESKAR IN 1949

16. LATA MANGESKAR IN 1961

17. LATA MANGESKAR

18. LATA MANGESKAR

19. LATA MANGESKAR WITH HER FAMILY

20. LATA MANGESKAR WITH MUKESH JI

21. LATA MANGESKAR

22. LATA MANGESKAR

23. REALLY LATA MANGESKAR IS A LANDMARK OF REALLY LATA MANGESKAR IS A LANDMARK OF
INDIAN MUSIC INDUSTRIES. AND SHE IS INDIAN MUSIC INDUSTRIES. AND SHE IS
ALWAYS IN EVERYBODIES HEART. SHE IS ONE ALWAYS IN EVERYBODIES HEART. SHE IS ONE
IN ONLY IN HOLL MUSIC IN INDIAN CINEMA.IN ONLY IN HOLL MUSIC IN INDIAN CINEMA.

24. LAST BUT NOT THE LEAST I HOPE LAST BUT NOT THE LEAST I HOPE
YOU ENJOY THIS POWER POINT YOU ENJOY THIS POWER POINT
PRESTATION, AND I REQUEST TO PRESTATION, AND I REQUEST TO
ALL PLZ PRAY TO LATA ALL PLZ PRAY TO LATA
MANGESKAR JI FOR GOOD MANGESKAR JI FOR GOOD
HEALTH, BECAUSE WE NEED HER.HEALTH, BECAUSE WE NEED HER.

26. SLIDE BY
NIRAJ