South, central and west Asian arts..pptx

ARTS 8 QUARTER 3.

1. SOUTH, CENTRAL AND WEST ASIAN ARTS ARTS 8-UNIT III

2. LESSON 1: PERIODS OF INDIAN ART

3. ANCIENT PERIOD -EARLY EVIDENCES OF THE EARLY CIVILIZATION ARE BRONZE AND COPPER STATUETTES AND STEATITE SEALS WHICH SHOWS VIGOR AND CONCERN FOR SURFACE TEXTURE

4. AJANTA CAVES FOUND IN MAHARASHTRA, INDIA 30 ROCK-CUT CAVE MONUMENTS THAT DATE BACK FROM THE 2 ND CENTURY BCE TO THE 600 CE CONTAINS PAINTINGS AND SCULPTURES CONSIDERED TO BE MASTERPIECES OF BUDDHIST RELIGIOUS ART, AS WELL AS FRESCOS THAT ARE REMINISCENT OF THE SIGIRIYA PAINTINGS IN SRILANKA

5. CLASSICAL PERIOD SHIVA -REPRESENTED BY 4 ARMED FIGURE -ONE HAND HOLDS THE FIRE WITH WHICH HE DESTROYS, ANOTHER HOLDS A DRUM WHICH IS THE FIRST SOUND HEARD IN THE WORLD DURING CREATION, THE THIRD ARM POINTS UP IN REASSURING GESTURE AND THE FOURTH ARM POINTS DOWN TO THE DWARF IN WHICH HE DANCES TO

6. ISLAMIC ASCENDANCY OR TRANSITIONAL PERIOD PERIOD OF EVOLUTION FROM VEDISM INTO HINDUISM OR BRAHMANISM 2 GREAT INDIAN EPICS( MAHABHARATA AND RAMAYANA); EMERGED IN THIS PERIOD

7. MOGUL PERIOD MOGULS CONTRIBUTED TO THE ENRICHMENT OF INDIAN CULTURE IN PAINTING AND ARCHITECTURE

8. TAJ MAHAL MOST SPLENDID MOGUL CONTRIBUTION BUILT IN 1632 BY SHAH JAHAN IN EMORY OF HIS WIFE

9. DIWALI CELEBRATED BY HINDUS IN OCTOBER TO NOVEMBER HINDU NEW YEAR AND IS EITHER A 3 OR 5 DAY HOLIDAY DEPENDING ON WHERE YOU COME EXCITING AND COLORFUL HOLIDAY, WHERE HOMES ARE CLEANED TO WELCOME THE NEW YEAR AND WINDOWS ARE OPENED SO THAT THE HINDU GODDESS OF WEALTH, LAKSHMI, CAN ENTER

10. LESSON 2: RANGOLI

11. RANGOLI ONE OF THE MOST BEAUTIFUL AND MOST PLEASING ART FORMS OF INDIA COMES FROM THE WORDS “RANG” MEANING COLOR AND “AAVALLI” MEANING COLORED CREEPERS OR ROW OF COLORS ART OF MAKING DESIGNS OR PATTERNS ON THE WALL OR THE FLOOR OF THE HOUSE USING FINELY GROUND WHITE POWDER ALONG WITH DIFFERENT COLORS

12. THE MATERIALS USED IN THE RANGOLI PATTERNS OF TODAY GIVE EITHER A VERY FLAT APPEARANCE OR A 3-D EFFECT DESIGNS INCLUDE GEOMETRIC PATTERNS, THE SWASTIKA, LOTUS, TRIDENT, FISH CONCH, CREEPERS, LEAVES, TRESS, FLOWERS, ANIMALS, ETC.

13. PAKISTAN

14. 4 PERIODS OF PAKISTANI ARCHITECTURE PRE-ISLAMIC ISLAMIC COLONIAL POST-COLONIAL

15. MIDDLE OF 3 RD MILLENNIUM BCE ADVANCED URBAN CULTURE DEVELOPED FOR THE FIRST TIME IN THE REGION LARGE BUILDING WERE BUILT LIKE MOHENJO DARO, HARAPPA AND KOT DIJJI (EXAMPLE OF PRE –ISLAMIC SETTLEMENTS THAT ARE NOW TOURIST ATTRACTIONS)

16. MOHENJO DARO, HARAPPA KOT DIJJI

17. TRUCK ART OF PAKISTAN TRUCKS ARE PAINTED WITH IMAGES OF IDEALIZED LANDSCAPES, FAMOUS PERSONALITIES FLOWERS AND TREES TURNED VILLAGE LANES, CITY STREETS AND LONG DISTANCE HIGHWAYS INTO A GALLERY WITHOUT WALLS; A FREE FORM, KALEIDOSCOPIC EXHIBITION IN MOTION

18. UZBEKISTAN PEOPLE ARE KNOWN FOR MAKING PRINTED CLOTH, TABLECLOTH, CURTAINS, BEDSPREADS, SHAWLS AND VARIOUS COVERLETS WHICH ARE USED AS A DAILY-ROUND ORNAMENT UZBEKISTAN CERAMICS HOLD A PROMINENT PLACE AMONG THE NUMEROUS FORMS OF POPULAR APPLIED ART

19. KAZAKHSTAN VISUAL ARTS ARE RELATIVELY YOUNG BUT, IN ANCIENT TIMES, NOMADS USED TO DRAW ON ROCKS FINE ART IN KAZAKHSTAN VARIES IN STYLE, DIRECTION AND GENRE AND THE MOST CAPTIVATING WORK BY ARTISTS FROM DIFFERENT PERIODS ARE FOUND IN MUSEUM ACROSS THE COUNTRY

20. PETROGLYPHS FOUND THROUGHOUT KAZAKHSTAN ALSO CALLEDAS ROCK ENGRAVING LOGOGRAM, IMAGES CREATED BY REMOVING PART OFA ROCK SURFACE BY INCISING, PICKING

21. TAJIKISTAN TAJIKS HAVE BEEN MAKING FABRICS, UTENSILS, MUSICAL INSTRUMENTS, CARPETS, FURNITURE, JEWELLERIES FOR MAY CENTURIES DECORATIVE CARVING IS MOSTLY PRESENT IN ARCHITECTURAL MONUMENTS, HOUSEHOLD STRUCTURES AND OBJECTS, MUSICAL INSTRUMENTS AND SOUVENIRS IN ARHITECTURE, ORNAMENTS IN THE FORM OF TULIPS, LOTUS AND OTHER FLOWERS ARE COMMON

22. TURKMENISTAN TRADITIONAL ARTS INCLUDE FELT MANUFACTURE, JEWELRY MAKING, WOODWORK, CERAMICS AND SILVERWORK CARPET WEAVING -CONSIDEREDED AS ANCIENT ART AND EACH TRIBE DEVELOPED ITS OWN DISTINCTIVE PATTERN -MOST BEAUTIFUL AND UNIQUE CARPETS ARE PRODUCED IN TURKMENISTAN - WOVEN OUT OF WOOL, COTTON AND SILK BY WOMEN USING HORIZONTAL LOOMS

23. CARPET WEAVING

24. KETENI A HOMESPUN SILK USED FOR BEAUTIFUL DRESSES WORN BY TURKMEN WOMEN IN SPECIAL OCCASIONS WHICH IS BEING PRODUCED IN TURKMENISTAN EMBROIDERY USES DIFFERENT PATTERNS THAT ARE UNIQUE AS A FAMILY SEAL

25. KYRGYSTAN PRODUCE A WIDE RANGE OF TEXTILES, MOSTLY FROM THE FELT OF THEIR SHEEP SHIRDAKS -HAND-MADE CARPETS FOUND IN MOST HOUSES TUSH KYIZ -ARE LARGE ELABORATELY EMBROIDERD WALL HANGINGS -MADE BY ELDER WOMEN TO COMMEMORATE THE MARRIAGE OF A SON OR DAUGHTER

26. SHIRDAKS

27. ARTS AND CRAFT OF WEST ASIA WEST ASIA IS RICH IN CULTURAL HERITAGE WHICH IS CLEARLY EVIDENT IN THE VARIETY AND QUALITY OF REGIONAL ARTS AND CRAFTS

28. TYPICAL ARTISTIC FORMS FROM THE REGION EMBROIDERY CERAMICS WOOD CARVING HAMMERED METALWORK CALLIGRAPHY INLAID WOOD DESIGNS BLOWN GLASSWORKS