STATE OF THE ART FILM CITY IN CHENNI PROJECT REPORT - ABTH ALHADHI M.pdf

STATE OF THE ART FILM CITY IN CHENNI PROJECT REPORT - ABTH ALHADHI M. -2025

1. STATE-OF-THE-ART FILM CITY IN CHENNAI

A THESIS REPORT

Submitted by

ABTH ALHADHI M
110220251003


In partial fulfilment for the award of the degree

Of

BACHELOR OF ARCHITECTURE


AALIM MUHAMMED SALEGH ACADEMY OF
ARCHITECTURE, CHENNAI 600 055.




ANNA UNIVERSITY: CHENNAI 600 025
MAY 2025

2. BONAFIDE CERTIFICATE

Certified that this project “(STATE-OF-THE-ART FILM CITY IN
CHENNAI ) ”is the Bonafide work of ABTH ALHADHI M
– 110220251003 who Carried out the thesis work under my
supervision.












Signature Signature
EXTERNAL EXAMINER – 1 EXTERNAL EXAMINER - 2

Signature
Ar.PRIYADHARSHINI
ADVISOR










Signature
Prof. A.J.Paul
PRINCIPAL










Signature
Prof. T.H.THANUJ
THESIS PANEL

3. DECLARATION


I declare this thesis titled“(STATE-OF-THE-ART FILM CITY )”at
“KUTHAMBAKKAM VILLAGE, POONAMALLEE” is the bonafide work by me,
under the guidance of Ar. “(Ar.PRIYADHARSHINI) Aalim Muhammed Salegh
Academy of Architecture, Chennai during the session of February, 2025 – May,
2025.






I declare further that the work reported therein does not form a part of any other
thesis based on which a Degree or Award was conferred on an earlier occasion.








CHENNAI : STUDENT SIGNATURE

DATE : ABTH ALHADHI M
110220251003

4. ACKNOWLEDGEMENTS
Develop an attitude of gratitude, and give thanks for everything that happens to
you, knowing that every step forward is a step towards achieving something
bigger and better than your current situation.
--Brian Tracy--

I would like to express my gratitude to JAVIDH AKTHER or their
suggestions, encouragements, comments and constructive criticism given which
has made this project a success.

I am thankful to Ar. ANITHA for enriching me with his/her knowledge and
guiding me with his/her valuable experience during the various stages of my
thesis review sessions.

I am thankful to Ar.“Ar.PRIYADHARSHINI” for the patience he extended
towards me; offering his/her guidance and immense support during this entire
semester and helping me complete this project.


I thank all the faculty members of the Department of Architecture for the
encouragement and inspiration to execute the project.

I also thank my family for all their support through these years. Lastly, I thank
all my fellow batch mates, who stood beside and aided me in making this
project a success.

5. ABSTRACT



The proposed Film City in Kuthambakkam, Thiruvallur district, Chennai, is
envisioned as a transformative hub for Tamil Nadu’s film and television
industries. Spanning 152 acres with an estimated investment of Rs 500–540
crore, the project will be developed under a Public-Private Partnership (PPP)
model. Designed to integrate cutting-edge technologies, such as Unreal Engine
Studios, the Film City will offer advanced production facilities, including
studios, shooting locations, and post-production infrastructure, to streamline
filmmaking processes and reduce costs. Strategically located near the upcoming
Kuthambakkam Bus Terminus and a proposed metro line from Poonamallee to
Parandur, the project aligns with Chennai’s urban development goals,
particularly the Chennai Metropolitan Development Authority’s (CMDA)
vision for a “15-minute city” in the Thirumazhisai satellite township. The Film
City is poised to boost regional economic growth, enhance connectivity, and
position Chennai as a global filmmaking destination, while navigating zoning
regulations and environmental considerations to ensure sustainable
development.

6. TABLE OF CONTENTS PAGE

• Bonafide Certificate……………………………………… …………. i
• Declaration ……………………………………………… …………. ii
• Acknowledgement………………………………………... ................ iii
• Abstract ……………………………………………………….. iv
• List of Figures……………………………………………………….. v
• List of Tables……………………………………………… ………... vi

PART I: INTRODUCTION……………………………………..

• Need for the project………………………………………... ............... 01
• Justification for the project………………………………… ………... 02
• Scope of the project …………………………………………... ......... 03
• Limitations of the project……………………………………............ 04

PART II: CASE STUDIES………………………………………
• Literature Study…………………………………………………….. 08
• Live Case Study…………………………………………………….. 27
• Book Study …………………………………………………………. 33
• Special study / Thrust Area…………………………………….…… 39
• Net Study …………………………………………………………. 46

PART III: SITE DATA…………………………………………..
• Site Images/photographs…………………………………………….. 55
• Site Maps……………………………………………………………….. 56
• Site Analysis……………………………………………………………. 57

PART IV: REQUIREMENTS ……………………………………
• Area Requirements ………………………………………………. 59
PART V: DESIGN…………………………………………………..
• Master plan…………………………………………………………… 60
• Floor Plans……………………………………………………… 61 -85
• Sections…………………………………………………………. 61 -85
• Elevations………………………………………………………. 61 -85
• 3D Views ………………………………………………………. 61 -85

7. PART I: INTRODUCTION……………………………………..

Need for the project :
The need for the proposed state-of-the-art Film City in Kuthambakkam,
Chennai, stems from a combination of economic, cultural, and infrastructural
factors, addressing gaps in Tamil Nadu’s film industry and aligning with
regional development goals.the Kuthambakkam Film City is needed to fill the
gap in modern film production infrastructure, drive economic and regional
development, enhance Tamil Nadu’s global filmmaking stature, and capitalize
on cultural and tourism opportunities, all while aligning with Chennai’s urban
planning objectives.




Scope of the project :
• Design of a comprehensive Film City in Chennai that includes
production studios, post-production facilities, outdoor shooting locations,
film museums, and tourist attractions.
• Integration of Tamil Nadu’s cultural heritage and sustainable design
principles.
• Focus on enhancing the film industry's infrastructure and promoting
film-related tourism.




Limitations of the project :
• Budget constraints may restrict the inclusion of certain advanced
technologies or large-scale outdoor sets.
• Environmental regulations and site-specific constraints may limit the
scope for large developments or specific design features.
• The design focuses on film production and tourism, excluding ancillary
industries like large-scale sound engineering or animation studi

9. 1. Literature Study………………..

26. RAMOJI FILM CITY - LIVE CASE
STUDY
Integration of Vegetation in Ramoji Film
City :
Ramoji Film City is a large entertainment
hub with a commitment to sustainability,
integrating vegetation for environmental
friendliness and green spaces. Sustainable
Land Use and Vegetation Planning :
Film City Landscaping Zones
Entertainment zones: Aesthetic, vibrant
flowers and ornamental plants.
Ecological zones: Native species planting
for habitat and water reduction.
Cultural and heritage zones: Traditional
trees and plants blending culture with
ecology.
Biodiversity Corridors: Green corridors,
designed to promote plant and animal
movement, are often adorned with native
trees like Indian Tamarind and Neem,
supporting local species like birds, bees, and
butterflies.
The gardens, featuring plants like
sunflowers, lavender, and zincnias, attract
pollinators like bees and butterflies,
promoting the health of the ecosystem and
promoting natural pollination for other
plants. Energy Efficiency and Urban Heat
Island
Mitigation : Green Roofs (Princess Street)
Green roofs, covered with vegetation, not
only enhance aesthetics but also insulate
buildings, reducing energy consumption and
air conditioning usage, especially with vines
and moss.
Tree canopy strategically placed in public
spaces reduces heat island effect by lowering temperatures, using large canopy trees
like Ficus and Palm trees for walkway .

29. A blue screen functions the same as a green screen but is used when the scene
contains green elements.
Advantages of Green Screen:• Reduces color spill.• Suitable for low-light or
nighttime settings.
Challenges in Chroma Keying:• Blue clothing color complicates chroma
keying.• Digital cameras require higher exposure, increasing noise.
Use of Blue in Films :• Period films with historical costumes.• Special effects
for scifi/fantasy films.• Night scenes for darker, blended blue.



Architectural Layout and Spatial Organization :
Ramoji film city Design Features
• Centralized layout with radial roads and pathways for smooth circulation.
• Pedestrian-friendly design with wide walkways for safe visitor movement.
• Accessibility features include ramps, elevators, and other features for all
visitors, including those with mobility impairment

30. - -

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31. Water and Wastewater Quality


INFERANCE
Ramoji Film City's architectural design
emphasizes large, multi-functional
spaces, balancing creativity, usability,
and visitor engagement, while
incorporating modernization,
sustainability, and emerging technologies
for future-proofing.
Management :









HVAC System Design and Functionality:
Theme zones require HVAC systems to
maintain consistent temperatures across
vast areas, using Variable Refrigerant Flow
( VRF) or chilled water systems for large
spaces.

32. Book case study :-
PINEWOOD STUDIOS -LONDON
location : Buckinghamshire, about 20 miles west of Central London.
Geographic location :51.548611°N 0.535°W
Project type : film and television studios
Development Size : 83 HA
Architect : Charles Boot, who collaborated with J. Arthur Rank, a British film
mogul, to establish the studio in 1935.
Aim of the study :An architectural study aims to analyze Pinewood Studios' planning,
design, and functional aspects, addressing technological, environmental, and operational
challenges while supporting its dual role as a film production hub.
Architectural Style and Layout : The design prioritizes functionality and modernity, with
zoning separating production areas, administrative buildings, and support facilities to
optimize workflow.
Sustainability Features :EnergyEfficiency,WasteManagement,Green Building Practices.
Built-Up Spaces: Sound Stages -16 ,OutdoorBacklots,Post-Production Facilities,Workshops
and Storage,Support Facilities.

33. The West Area of Pinewood Studios is divided into three areas: the central area, which is
used for film studio development under Policy EP2, the southern area, which is within the

34. Green Belt, and the northern area, which is used for external set construction and
temporary buildings. The audit of the existing West Area site provides a detailed description
of the building stock and production facilities. The southern area includes gardens formerly
belonging to Heather den Hall and the
Orchard and Paddock Backlot areas.
The Preferred Strategy Development
Framework (PSDF) Scheme aims to
reconfigure and expand facilities for screen-
based media, including film, television, and
video games, by constructing new stages,
workshops, office accommodation, and
other facilities. It also includes external film
production, new vehicular and pedestrian
access, emergency access, and landscaping
and ecological habitat creation works. The
scheme also includes the demolition of
outdated accommodation, construction of
new entrance structures, gas CHP energy
center, underground waste water treatment
plant, and recycling facilities.

35. Post Production - John Barry Theatre
specification :
type :post -production theatre
dimensions: 31ft X 14ft
• sheat -122
Technical specification :
• monitoring :dolby surround 7.1 ,5.1 and 2.0
• Projection : christie cp4220 4k dci projection
• Playback &record :DCP, DaVinci Resolve and Fibre connections to cutting rooms for
Playback

Soundproofing and Acoustic Materials in 007 Studio
• Acoustic Insulation: Utilizes acoustic panels, insulation materials, and mass-loaded vinyl
for high sound isolation.
• Mineral Wool and Rock Wool: Fire-resistant, excellent sound absorption materials used for
walls and ceilings.
• Acoustic Foam: Applyed to walls and ceilings to prevent unwanted echoes and reverb,
ensuring high sound quality during shooting.

37. Architectural Design &
Structural Components :
Pinewood Studios’ sound stages
are designed for flexibility,
scalability, and efficiency for
films and television.
Large, Clear-Span Structures:
• Sound stages have no internal
support columns for uninterrupted space.
• Enables creation of elaborate sets, green screens, and large special effects.
• Some stages are over 50 feet tall for multi-story sets and aerial stunts.
• Roofs and rigging systems support heavy equipment and lighting.
• Most sound stages feature integrated workshops, costume/makeup areas, and post-
production suites.
Acoustic Treatment &Soundproofing :
Acoustic Design Features:
• Constructed with concrete and dense acoustic insulation to block external noise.
• Reduces vibrations from external sources (e.g., vehicles, machinery).
• Installed on walls and ceilings to reduce echo and control audio clarity.
• Designed to operate with minimal noise to avoid interference during filming.
Materials Used in Construction:
Sound Stages at Pinewood Studios
• Constructed with durable, fire• resistant, and acoustically optimized materials
• Ensures long-term usability and high• performance filming conditions
Common Materials
Sustainability & Environmental Considerations:
Pinewood Studios Sustainability Commitment:
• Reducing carbon footprint
• Integrating sustainable design in sound stage expansions
• Energy- efficient LED lighting to cut electricity use
• Solar panels for clean energy in some buildings
• Rainwater collection and recycling to reduce waste
• Eco• friendly set construction with modular, recyclable materials

38. QINGDAO MOVIE – METROPOLIS

Location : West Coast of Qingdao, Shandong Province, China
Total Area : 376 hectares (~930 acres)
Studio Space : Over 400,000 sqm (4.3 million sq. ft.)
Geographic location : 35.91129866106717, 120.10955229710511
Project type : Entertainment and Media Industry Infrastructure
Developer : Dalian Wanda Group (Led by Wang Jianlin)
Year of Completion: April 2018.
Aim of the study :The case study of Qingdao Movie Metropolis aims to analyze and
understand its design, functionality, and impact as a world-class film production hub.
Architectural Style : The Qingdao Movie Metropolis blends modern, high-tech, Neo-
Futurism, and functional design styles.

40. Architectural Design
1.High-Tech & Neo-Futuristic Aesthetics :
Qingdao Movie Metropolis (QMM) is a high-tech, Neo-Futuristic film city integrating state-
of-the-art studios, post-production facilities, entertainment hubs, commercial spaces, and
residential areas. The design prioritizes technology, sustainability, and immersive cinematic
experiences to position Qingdao as a global film industry hub.
QMM’s design is a fusion of digital technology, organic forms, and high-tech materials,
creating an immersive cinematic landscape.
Key Design Principles :
Neo-Futuristic Forms and Digital & Interactive Facades:
• Parametric, fluid structures inspired by nature and film reels.
• AI-driven LED surfaces for dynamic visuals.
• Smart, sustainable materials like self-healing concrete and kinetic solar panels.
Concept :
The design concept is inspired by a conch, an ancient sea creature. It aims to blend regional
cultural symbols with modern functions in a meaningful way. The conch represents

41. Masterplan of a new state-of-the-art full service movie and television studio consisting of 20
sound stages, 5 production support buildings, commissary, mill/shop/storage buildings,
post-production, and administrative offices totaling nearly 900,000 sf. on approximately 300
acres as part of a mixed use project.

44. Why is Qingdao Movie Metropolis a Sustainable Building?
Qingdao Movie Metropolis is one of the most advanced film production hubs in the world,
integrating eco-friendly architecture, renewable energy, water conservation strategies, and
sustainable urban planning. The project reflects China's commitment to green building
principles while setting a precedent for future film city developments worldwide.

Green Building Certifications & Sustainable Materials :
LEED-Certified Studios: Many buildings within the complex follow Leadership in Energy and
Environmental Design (LEED) standards, ensuring sustainability in construction and
operations.
Locally Sourced & Recycled Materials: The project reduces carbon emissions by using low-
carbon concrete, sustainable timber, and high-performance glass.
Low-VOC (Volatile Organic Compounds) Paints & Finishes: Improves indoor air quality and
reduces harmful emissions.
Modular & Prefabricated Construction: Reduces material wastage and speeds up the
building process.
Sustainable Materials :
Eco-Friendly Building Materials
Low-Carbon Concrete & Recycled Steel: Reduce embodied carbon in large-scale
constructions.
Bamboo, Timber, & Rammed Earth: Use renewable materials for interior finishes and
structures.
Low-VOC Paints & Adhesives: Improve indoor air quality in studios and residential spaces.
Recyclable Set Designs: Create modular, reusable set pieces to reduce construction waste.
3D Printing with Sustainable Materials: Utilize bio-based filaments for rapid prototyping.
Zero-Waste Studios: Implement waste sorting, recycling stations, and composting for
organic waste.

45. UNIVERSAL CITY – LOS ANGELES , USA
Location : 100 Universal City Plaza, Universal City, CA 91608, USA
Geographic location :34.13706025740591, -118.35330134536652
Project type : Corporate Headquarters & Media Production Hub
Area : 391 acres (Universal City) 230
(Universal studios -Hollywood)
Architect : Skidmore, Owings & Merrill (SOM), Gensler (Renovations & Interiors).
Year of Completion: Various phases (Original: 1933, Renovations: 2019-2022)
Architectural Style : Universal Studios Hollywood follows a hybrid architectural style,
blending elements of Hollywood Art Deco, Modernism, Industrial Design, and Themed
Architecture.

46. Concept
:Universal Studios Hollywood, a Los Angeles landmark, combines entertainment, education,
and cinematic innovation through immersive design, real-world filmmaking, and cutting-
edge technology, transforming movies into immersive experiences.
Aim of the study :Universal Studios Hollywood aims to combine entertainment,
filmmaking, and sustainability, delivering a world-class visitor experience through design
that prioritizes immersion, functionality, sustainability, and technological innovation.

48. CirclutionPlan :
The Circulation Plan suggests improvements for access, circulation, connections, and parking
for site activities.
Entry Points : There will be 10 entry points,
including 3 public and 7 studio, with upgrades.
Landscape :
Landscaping is important for the visual appeal of
the Specific Plan Area. It enhances steep-sloped
areas, welcomes visitors, improves aesthetics,
absorbs stormwater, and provides shade
Required Landscape :
Landscaping is mainly needed to screen and
buffer blank walls visible from public areas,
parking garages, or unattractive uses. Non-
attraction landscaping must follow County
standards for drought-tolerant plants.
Conceptual Plant Palettes:
The following pages show planting ideas for
different areas of the Universal Studios Specific
Plan. These are general guides for future

49. landscaping improvements.
Lankershim edge conceptual planting palette :
Canopy Trees :

Infrastructure :
1.Storm water:

2.Sanitery Sewer :

50. 3.Water (portable and reclaimed water ) :
5.Solid wter &Electricity :

51. Virtual production stages
have revolutionized
filmmaking, integrating real-
time rendering, LED walls,
and motion capture to
create immersive digital
environments. These stages
allow actors to perform in
dynamic, interactive
backgrounds without
relying solely on green
screens.
Universal Studios

52. Hollywood has significantly advanced its production capabilities with the establishment of a
state-of-the-art Virtual Production Stage.
EDC -RECORDIG STUDIO

53. Key Features of the Studio Design: :
The studio offers a unique recording environment with advanced acoustic engineering,
ensuring sound clarity and precision for various music genres. Its interior design blends
vintage and modern elements, offering a professional and intimate atmosphere. The studio
is equipped with modular spaces, catering to diverse recording needs. Located in Paris, it
honors the city's artistic legacy while fostering innovation in music production.
The sender provided a reference image of a spaceship cockpit, describing it as a spacious
space with wide panels and spot lights.Located in a narrow street, the building was built
in 1840 in a typical Haussmanian style. It is a mixed used building with a stone façade and
a large paved courtyard. The studio is nest on the ground floor hidden among atelier and
office spaces.

54. PART III: SITE DATA…………………………………………..

58. PART IV: REQUIREMENTS……………………………………
Area statement :

59. PART V: DESIGN…………………………………………………..
1. Master plan