Surrealism & Dada

1. Surrealism

& Dada

Expression of the Subconscious
Mind , Juxtaposition of Images
and Concepts

Adapted from Ms.Bauer Art

Remedios Varo, Tightrope Walkers 1944

2. What is Dada?

The Dada Movement (1916-23) was anti-
war, anti-materialistic and anti-
nationalistic. Dada rejected traditional
art standards and used nonsense to
represent the senselessness of war and
violence.

Man Ray, Le Cadeau (The Gift), 1921

3. Tristan Tzara

e 1896-1963

e Romanian/French

e Poet, Essayist and Performance Artist
e He wrote the “Dada Manifesto” 1918

I destroy the drawers of the brain, and those of social organisation: to sow
demoralisation everywhere, and throw heaven's hand into hell, hell's eyes into
heaven, to reinstate the fertile wheel of a universal circus in the Powers of reality,
and the fantasy of every individual.

Every man must shout: there is great destructive, negative work to be done. To
sweep, to clean. The cleanliness of the individual materialises after we've gone
through folly, the aggressive, complete folly of a world left in the hands of bandits
who have demolished and destroyed the centuries. With neither aim nor plan,
without organisation: uncontrollable folly, decomposition. Those who are strong in
word or in strength will survive, because they are quick to defend themselves; the
agility of their limbs and feelings flames on their faceted flanks.

DADA DOES NOT MEAN ANYTHING

4. Sophie Taeuber-Arp, Military Guards, 1918

Marcel Duchamp, Bicycle Wheel, 1913

5. Marcel Duchamp, L.H.O.O.Q., 1919 Raoul Hausmann, The Critic, 1919-20

6. Origins of Surrealism

Surrealism developed out of the Dada
Movement.

Surrealists were also influenced by
Abstraction and Expressionism, as well
as Futurism and Cubism.

Leci n'est pos une June.

Renee Magritte, This is Not a Pipe, 1968

7. What is Surrealism?

A 20th century literary and artistic
movement that attempts to express
the workings of the subconscious
mind.

It is characterized by fantastic
imagery and incongruous
juxtaposition of subject matter.

Renee Magritte, Son of Man, 1964

8. Cultural & Historical Context

Surrealism began during WWI, and continued through WWI1,
beginning in Paris and spreading through Europe and beyond.

While Impressionists and Cubists were concerned with painting
the way we see, the Surrealists were more concerned with painting
how we really think.

Surrealists wanted to discover a new reality by mixing dreams with
imagination to create strange and unusual works of art that
allowed individual artists to express new emotions that would
make us think.

9. Andre Breton

e 1896-1966
e French

e Surrealism was officially founded in 1924,
when Andre Breton wrote Le Manifeste du
Surrealisme.

e He defined Surrealism as “Psychic automatism
in its pure state, by which one proposes to
express verbally, by means of the written
word, or in any other matter - the actual
functioning of thought.”

10. Automatism

Automatic drawing was developed by the
Surrealists as a means of expressing the
subconscious.

In automatic drawing, the hand is allowed to move
“randomly” across the paper. In applying chance
and accident to mark-making, drawing is to a large
extent freed from rational control. Hence the
drawing produced may be attributed in part to the
subconscious and may reveal something of the
psyche which would otherwise be repressed.

Andre Masson, Automatic Drawing,
1896-1897

11. Famous Surrealists

Salvador Dali, Aparition of Face and Fruit Dish on a Beach , 1938

12. Max Ernst

e 1891-1976
e German

e “Painting is not for me either decorative
amusement, or the plastic invention of felt
reality; it must be every time: invention,
discovery, revelation.”

13. Max Ernst, Ubu Imperator (Dada Phase), 1923

14. Joan Miro

1893- 1983

Spanish

“The painting rises from the brushstrokes
as a poem rises from the words. The

meaning comes later.”

Miro did not call himself a Surrealist, but
he helped start the movement.

Practitioner of automatism.

16. Rene Magritte

1898- 1967
Belgian

“It is a union that suggests the essential
mystery of the world. Art for me is not an
end in itself, but a means of evoking that
mystery.”

Began painting in Surrealist style after
viewing Giorgio di Chirico’s artwork.

17. Giorgio di Chirico, Love Song, 1914 Renee Magritte, Memory, 1948

18. Renee Magritte, Transfer, 1966

19. Salvador Dali

e 1904-1989
e Spanish

e “Surrealism is destructive, but it destroys
only what it considers to be shackles
limiting our vision.”

20. Salvador Dali, The Persistence of Memory, 1931

21. Women in Surrealism

Surrealism was the first artistic movement of the 20th century in which women
were able to explore feminism and stake a place in the art world.

“Putting psychic life in the service of revolutionary politics, Surrealism publicly
challenged vanguard modernism’s insistence on ‘art for art’s sake.’ Surrealism also
battled the social institutions- church, state, and family- that regulate the place of
women within patriarchy. In offering some women their first locus for artistic and
social resistance, it became the first modernist movement in which a group of
women could explore female subjectivity and give form (however tentatively) to a
feminine imaginary.”

- Whitney Chadwick, from Women, Surrealism, and Self-Representation

22. Frida Kahlo

1907 - 1954
Mexican

“| paint my own reality. The only thing I
know is that I paint because I need to, and I
paint whatever passes through my head
without any other consideration.”

23. Frida Kahlo, Las Dos Fridas, 1939

24. Remedios Varo

e 1908 - 1963
e Spanish

e “On second thought, I think Iam more
crazy than my goat.”

25. Remedios Varo, Useless Science or The Alchemist, 1955

26. Leonora Carrington

e 1916-2011
e English/Irish

e “I didn't have time to be anyone's muse... I
was too busy rebelling against my family
and learning to be an artist.”

e Asa young artist, she married Max Ernst.

27. Leonora Carrington, Untitled, 1942

28. Impact of Surrealism

Influenced writing and art, as well as
other literary and artistic movements:
e Expressionism
e Post-Modernism
e Magic Realism

Surrealism: It defines a range of
creative acts of revolt and efforts to
liberate the imagination.

29. Dada & Surrealist Games

To make a Dadaist poem:

Take a newspaper.

Take a pair of scissors.

Choose an article as long as you are planning to make your poem.

Cut out the article.

Then cut out each of the words that make up this article and put them in a bag.
Shake it gently.

Then take out the scraps one after the other in the order in which they left the bag.
Copy conscientiously.

The poem will be like you.

And here you are a writer, infinitely original and endowed with a sensibility that is
charming though beyond the understanding of the vulgar.

2 0090 ON ye wre

-Tristan Tzara

30. Dada & Surrealist Games

Exquisite Corpse:

Surrealist founding father André Breton claims that several members began to play an old game
known as “Consequences” at a party. One person would write a word on the piece of paper, fold
it back to show only the last word, and hand it to the next person to keep the story rolling.
Considering that the participants of that game and later ones included figures such as Marcel
Duchamp, Man Ray, Tristan Tzara, Paul Éluard, and Joan Miró, it’s not surprising that the normal
verbal twists and turns of the game took on a whole new level.

When the phrase “exquisite corpse” turned up in one session, it instantly became the new name
for the game. Over time, a visual equivalent evolved in which artists would draw part of a figure,
fold back the paper to show just a hint, and hand it to the next artist to carry on the game.

31. Surrealist Music

Karlheinz- Helikopter-Streichquartett (Helicopter String
Quartet)

John Cage - Branches, Six Melodies

American composer, music theorist, writer, and artist. A pioneer of indeterminacy in music,
electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading
figures of the post-war avant-garde. Critics have lauded him as one of the most influential
American composers of the 20th century.

Yoko Ono- Voice Piece for Soprano & Wish Tree

32. Surrealist Dance

Martha Graham Lamentation-Choreographed in 1930

American modern dancer and choreographer whose influence on dance has been
compared with the influence Picasso had on the modern visual arts, [121
Stravinsky had on music, or Frank Lloyd Wright had on architecture.)

She danced and choreographed for over seventy years.

Isadora Duncan “The Dancer of the Future”

Duncan’s philosophy of dance moved away from rigid ballet technique and
towards what she perceived as natural movement. To restore dance to a high art
form instead of entertainment, she sought the connection between emotions and
movement: “I spent long days and nights in the studio seeking that dance which
might be the divine expression of the human spirit through the medium of the
body’s movement.”

33. Surrealist Filmmakers

Man Ray
Fritz Lang- Metropolis (1:16:32)
Robert Wiene, Hans Janowitz & Carl Meyer,The Cabinet of Dr. Caligari

Salvador Dali - Dream for Spellbound & Collaboration with Disney, Destino

Tarsem Singh - The Fall (21:19)