Multi-layered Stack Mosaic
with Rotatable Objects
Jin Wan Park
1
, Kyung Hyun Yoon
2
, and Seung Taek Ryoo
3
1
GSAIM Dep. Chung-Ang Univ.
221 Heukseok-dong, Dongjak-gu, Seoul, Korea
[email protected]
2
CS Dep. Chung-Ang Univ.
221 Heukseok-dong, Dongjak-gu, Seoul, Korea
[email protected]
3
Software Dep. Han-Shin Univ.
411 Yongsan-dong, Osan-si, Gyonggido, Korea
[email protected]
Abstract.We present a new type of mosaic, the multi-layered stack
mosaic with photographs of rotated objects. Our algorithm uses multi-
layered Photomosaics with database enrichment by element rotation. The
benefit of this algorithm is that an artist can not only produce a digital
mosaic with a relatively small database without degrading the quality
of the mosaic, but that the Multi-layered Stack Mosaic also generates
unique and strong artistic expressions which gives an illusion of piled
stackable objects. Since the result has a unique visual style, we intend to
exhibit our mosaic images at galleries such as the Epson Color Imaging
Contest and the CAU Art Center
1
.
1 Introduction
The mosaic is an intriguing subject in computer graphics because it involves sci-
entific and artistic research simultaneously. The mechanism of traditional mosaic
creation is based on the visual perception of artists. Although it is difficult to
quantify, the process is systematic and methodical. In recent years, many mosaic
schemes for generating free-form 2D images have been suggested in the area of
non-photorealistic rendering. In 1996 Robert Silvers devised the concept of Pho-
tomosaics [1] in which one big picture is generated from thousands of smaller
pictures. These pictures are then placed in patterns like traditional mosaics, and
each cell is an actual photograph. Each tile of a Photomosaic contains a photo-
graphic image, causing perceptual confusion in the observer in a delightful way.
The perceptual range changes from elements to the whole and vice versa. How-
ever, for producing quality Photomosaic artwork, an abundant image database
must be prepared making this one of the most laborious aspects of Photomo-
saics. What makes this worse is that every picture may have its own copyright
1
This work was supported by grant No. (R01-2005-000-10940-0) from the Basic Re-
search Program of the Korea Science & Engineering Foundation.
H.-P. Seidel, T. Nishita, and Q. Peng (Eds.): CGI 2006, LNCS 4035, pp. 12–23, 2006.
cffSpringer-Verlag Berlin Heidelberg 2006