Arts grade 9 630921320-ARTS-9-PPT-Q3-W1.pptx



from the viewer, the smaller is the size of the object. Relative size is supported by the concept of linear perspective. Parallel lines that meet at the horizon give the illusion of distance. Objects, therefore, become smaller the nearer they are to the point in the horizon where the two lines converge.
Atmospheric Perspective. This is also known as aerial perspective. The illusion of depth is created by techniques known as gradient (a gradual change). This may be a gradient in texture, brightness, color intensity, and combination of warm and cool colors. To understand gradient better, the picture plane is divided into three parts: the lower part is the foreground, which is nearest to the viewer, the second is the middle ground, and the upper part of the picture plane is the background. In applying gradient to give the illusion of depth, objects in the foreground would be bigger, detailed, and brighter. As the eye moves to the middle ground, the objects' appearance would gradually change. In the middle ground objects would be smaller compared with those in the foreground. There would be less detail, and colors are not so bright. When the viewer looks at the background, objects will be smaller, they will have very little detail, and the colors are hazy giving the illusion of distance.

1. THE ART PRODUCTION OF NEOCLASSIC AND ROMANTIC PERIODS

2. NEOCLASSICISM (1780-1840) The Western trend that became popular from 1780 to 1840 in decorative and visual arts. This is also known as the Age of Enlightenment. Neoclassical works of art such as paintings, sculptures and architecture typically depicted Roman history that exalted the ancient heroes.

3. ROMANTICISM (1800-1810s) It was a trend that emphasized both the delicate and stormy presentation of sentiments or emotions and individualism. Landscape painting was also made more popular because of the romantic adoration of nature by the inhabitants.

4. DISTINCT FEATURES OF NEOCLASSICISM AND ROMANTICISM

5. NEOCLASSICISM Nature is defined as human nature ROMANTICISM Nature is defined as natural environment

6. NEOCLASSICISM Society is more important than the individual ROMANTICISM Individual is more important than society

7. NEOCLASSICISM Imitation ROMANTICISM Originality

8. NEOCLASSICISM Tradition ROMANTICISM Experimentation

9. NEOCLASSICISM Rules and order ROMANTICISM Freedom

10. NEOCLASSICISM Mechanical form (imposed from outside) ROMANTICISM Organic form (growing from inside)

11. NEOCLASSICISM Logic ROMANTICISM Intuition

12. NEOCLASSICISM Reason ROMANTICISM Imagination, emotion

13. NEOCLASSICISM Attempted objectivity ROMANTICISM Accepted subjectivity

14. NEOCLASSICISM Town or cultivated landscape ROMANTICISM Country, preferably untouched nature

15. NEOCLASSICISM Constraint ROMANTICISM Spontaneity

16. NEOCLASSICISM Conformity ROMANTICISM Independence, Rebellion

17. NEOCLASSICISM Cultivated, formal, social ROMANTICISM The primitive become focus

18. NEOCLASSIC PERIOD ARTISTS

19. JACQUES-LOUIS DAVID (1748-1825)

20. THE DEATH OF MARAT It shows the portrayal of a revolutionary martyr.

21. JEAN-AUGUSTE-DOMINIQUE INGRES (1780-1867)

22. PORTRAIT OF NAPOLEON ON THE IMPERIAL THRONE Depicts Napoleon in his decadent coronation costume, seated upon his golden encrusted throne, hand resting upon smooth ivory balls.

23. ANTONIO CANOVA (1757-1822)

24. PSYCHE AWAKENED BY CUPID’S KISS A marble sculpture portraying the relationship of Psyche and Cupid.

25. BERTEL THORVALDSEN (1789-1838)

26. CHRIST An image of resurrected Christ currently located at the Thorvaldsen Museum.

27. ROBERT ADAM (1728-1792)

28. WHITE HOUSE A well-known American civic buildings, with a balustrade which is a railing with vertical supports along the edge of the roof.

29. ROMANTIC PERIOD ARTISTS

30. JEAN LOUIS THEODORE GERICAULT (1791-1824)

31. THE RAFT OF THE MEDUSA It portrays the victims of a contemporary shipwreck .

32. EUGENE DELACROIX (1798-1863)

33. LIBERTY LEADING THE PEOPLE A woman holding the flag of French Revolution personifies Liberty and leads the people forward over the bodies of the fallen.

34. FRANCISCO GOYA (1746-1828)

35. THE THIRD OF MAY Commemorates Spanish resistance to Napoleon’s armies during the occupation of 1808 in the Peninsular War.

36. JEAN-BAPTISE-CAMILLE COROT

37. LANDSCAPE WITH A PLOWMAN A landscape painting depicts the physical world that surrounds us and includes features such as mountains, valleys, vegetation and bodies of water.

38. FRANCOIS RUDE (1784-1855)

39. DEPARTURE OF THE VOLUNTEERS It portrays the goddess liberty urging the forces of the French Revolution onward.

40. ANTOINE-LOUIS BARYE (1796-1875)

41. HERCULES SITTING ON A BULL  It has a dark brown patina with highlights of green throughout.