4(?|(?Baku’s Temple of Eternal Fire
Śiva carried the corpse of Satī, began stalking the three worlds, and performed
the Tāṇḍava, the cosmic dance of destruction. The other devas terrified by Śiva’s
anger appealed to Lord Vi ? ?u to pacify Śiva. To do so, Vi ? ?u made use of his
Sudarśana Cakra severing Satī’s body into 51 pieces (or 108 pieces according to
some of the other traditions). At all those spots where the pieces of the body parts
of Satī’s corpse fell Sacred Seats of Śakti (Śaktipī ?has) came into being. Those
spots such as Jwalamukhi town (Kangra, Himachal), Shaktinagar (Sonbhadra,
Uttar Pradesh), Surakhani (Baku, Azerbaijan), and Muktinath (Mustang, Nepal),
where pieces of the flaming tongue fell resulted in the uniquely rare spots of Jvālā
Jī or Jvālāmukhī, the goddess manifesting herself through tiny flames. The legend
says that the goddess manifested herself as seven flames for the seven divine
sisters or as nine flames for the nine Durgās (Mahākālī, Annapūr ?ā, Cha ? ?ī,
Hinglāj, Vindhyāvāsinī, Mahālak ?mī, Sarasvatī, Ambikā and Añjanā Devī) which
burn continuously. It appears that some of their fire-worshipping Āryan tribes
migrated into the Baku region some time after the Battle of the Ten Kings, began
worshipping the seven flames, and later built a temple here. The fire-worshipping
Zoroastrians, whose fire temples were invariably located on hills, appeear to have
left this spot unmolested as its holy fires were located in the flat plains.
When the Arabs invaded the area around the Caspian Sea, they either destroyed
most of the non-Muslim places of worship or allowed them to become derelict. The
Mahājvālā Jī Temple of Surakhani also appears to have fallen this fate. However,
during the later medieval period political expediency and economic compulsions
of the local political authority made it possible for the low-profile Hindus to
reclaim some of their holy places. Consequently, the Mahājvālā Jī Temple was
rebuilt in the late seventeenth century over the ruins of an earlier temple. The
responsibility of maintaining this temple appears to have fallen to the lot of the
Udāsīs who, apart from revering Agni, worshipped the Triśakti (Triśūla, O ?, and
Svastika) and the Pañcāyatana (Śiva, Vi ? ?u, Sūrya, Durgā, and Ga ?eśa).
Historical evidence indicates that the settlement of Baku received its name
from the Vedic people who called this place Bagavān/Bagawān/Baguān/Bhagavān.
For instance, during the Sasanian rule (224-651 CE) it was called Bagavan.
Surrounding the altar, built in the courtyard of the complex in the style of a typical
Jvālā Jī altar, there are twenty-four window-less cells. The entrance room of the
temple has a guest-room (balakhane) built above it for the accommodation of
Hindu and Sikh pilgrims. The altar is a four-sided construction, open on all sides,
and consists of four rectangular columns, joined by arches and topped by a cupola.
Originally, there were twenty three inscriptions but two of them are missing now.
Of the extant inscriptions, eighteen have been installed above the entrance doors
of the different cells. Of the other three, one each has been installed above the
sanctum, temple entrance, and the middle window of the guest-room. Eighteen of
these inscriptions are written in the Devanāgarī script, two in Gurmukhī, two in
Lā ? ?ā scripts, and one in Farsi. Numerals, specifically the dates, mentioned in the
inscriptions are nearly all in the Gurmukhī script.