MUSIC 10 Q4 PPT powerpoint lesson in music

presentation on music quarter 4

1. MUSIC 10 Q4
MODULE 1
•20th and 21st
Century
•Multimedia Forms

2. Philippine Opera

3. Review
•IDENTIFY THE
FOLLOWING FILIPINO
COMPOSERS

7. Pre assessment

8. A. Ballet B. Musical Play C. Opera
•1.Thismusicalperformance
presentsadramatizationof
folktalesbasedonlocal
fables with highly
communicative dance
movementsandsteps

9. A. Ballet B. Musical Play C. Opera
•2. These
performancesinclude
MyFairLady,The
SoundofMusic,and
WestSideStory.

10. A. Ballet B. Musical Play C. Opera
•3.thedialogueof
this musical
performance is
entirelysungand
notspoken.

11. A. Ballet B. Musical Play C. Opera
•4.Thismusicformand
traditionstartedinItalyat
theendofthe14
th
centuryandspread
throughtherestof
Europe.

12. A. Ballet B. Musical Play C. Opera
•5.Thismusicalform
includestheportrayalof
LeaSalongaasKimin
MissSaigon,andMei-Li
inFlowerDrumSong

13. NAME THESE PLACES

19. The opera
isbothamusicalandartformwhereinsingersand
musiciansperformadramaticworkcombiningthe
text(calledalibretto)andthemusic,usuallyinan
elaboratetheatricalsetting.Itincorporatesmanyof
theelementsoftheater,suchasacting,scenery,
costumes,andsometimes,evendance.The
performanceistypically
presentedinanoperahouse,culturalcenter,
theater,orauditorium.Itisaccompaniedbyan
orchestraorachamberensemble.Thedialogues
weresungandnotspoken–theyarecalled
recitatives.

20. OPERA IN THE PHILIPPINES
•Thethemeswereripeforvoicingoutsentiments
abouttheirloveforthecountryandlongingfor
independencefromcolonialrule.Theelementof
tragedy,emanatingfromthepopularthemesof
romance,deceit,murder,vendetta,andother
elementsofhumanfrailty,becameafavorite
narrativeoftheFilipinoopera.Someworkswere
basedonpreviousliterarycreations,suchas
Rizal’sNoliMeTangereandElFilibusterismo.
Tragicendingsandunresolvedconflictsmade
forexcellentchoicesofoperaproductions.

21. Sandugung Panaginip
•The first opera done in Tagalog language
•First presented in Zorilla Theater on
August 2, 1902
•The opera was composed by Ladislao
Bonus in the tagalog language and was
based on the translation made by Roman
G. Reyes of Pedro paterno’s La Alliansa
Sohada a Spanish libretto.

22. BONIFACIO ABDON
•FirstFilipinoopera
conductor,fatherof
mothernkundiman

23. RAMON JAVIER
•FirstFilipinoOpera
ImpresarioPromoted
Local talentsto
participateinforeign
productions.

24. MERCEDES MATIAS SANTIAGO
•OperaticDiva
•Portrayedtheroleof
Lucia inGaetano
GomizettisLucidi
LaLamermoor

25. JOVITA FUENTES
•Nationalartistformusic
•Portrayedtheroleof
MimiinGiacuevoPucinis
LaBoheme

26. LA LOBA NEGRA
the Black Shi-Wolf
•A three act Filipino Opera
•Act1andIIarebasedonhistory.ActIIIisbased
onalegendattributedtoFr.JoseBurgos.
•ThemusicwascomposedbynationalArtist
FranciscoFeliciano.
•Thepremierwasheldin1984withnational
artistfortheaterandfilmLambertoArellanoas
director.
•ThestoryrevolvesaroundtheTragic
assassinationof SpanishGov.General
BustamentaandfocustherevengeofDonya
Luisathelalobanegratheporpetuator.

27. NOLI ME TANGERE
•Thethreeactoperawascomposedby
nationalartistfelipedeLeonwithlibretto
bynationalrtistGuillermoTolentino
•It premierred in 1957 at the FEU
Auditorium
•Itwasbasedfromthenovelofnational
heroDr.JoseRizal’sNoliMeTangere
(TouchMeNot)whichiscomposedtheill
doingsoftheSpanishCatholicfriarsand
therulinggovernment.

28. EL FILIBUSTERISMO
•ComposedbynationalartistFelipe
PadilladeLeoninthreeacts,with
librettoinFilipinobyAnthonyMorli.
•StagedattheCulturalCenterofthe
Philippinesin1970.
•ElFilibusterismo,asequeltoNoliMe
Tangere,tellsthecontinuingstruggle
oftheFilipinopeopletoachieve
freedomandemancipationfrom
colonialrule.

30. •Assessment
•Identification
1-10

31. 1.________________
isbothamusicalandartform
whereinsingersandmusicians
performadramaticwork
combiningthetext(calleda
libretto)andthemusic,usuallyin
anelaboratetheatricalsetting.

32. 2. _________________
•Thefirstoperadonein
Tagaloglanguage
•FirstpresentedinZorilla
TheateronAugust2,
1902.

33. 3. _______________
•FirstFilipinoopera
conductor,fatherof
mothernkundiman

34. 4. _________________
•FirstFilipinoOpera
ImpresarioPromoted
Local talentsto
participateinforeign
productions.

35. 5. ________________
•OperaticDiva
•Portrayedtheroleof
Lucia inGaetano
GomizettisLucidi
LaLamermoor

36. 6. _____________________
•Nationalartistformusic
•Portrayedtheroleof
MimiinGiacuevoPucinis
LaBoheme

37. 7. ___________________
•Thestoryrevolvesaroundthe
Tragicassassinationof
Spanish Gov. General
Bustamentaandfocusthe
revengeofDonyaLuisathela
lobanegratheporpetuator.

38. 8. ___________________
•Itwasbasedfromthenovelof
nationalheroDr.JoseRizal’sNoli
MeTangere(TouchMeNot)
whichiscomposedtheilldoings
oftheSpanishCatholicfriarsand
therulinggovernment.

39. 9. __________________
•asequeltoNoliMe
Tangere,tellsthe
continuingstruggleofthe
Filipinopeople to
achievefreedomand
emancipation from
colonialrule.

40. •10.Thedialoguein
the Opera
performance is
entirely_______and
notspoken.

42. •1. Opera
•2. Sandugung Panaginip
•3. Bonifacio Abdon
•4. Ramon Javier
•5. Mercedez Matias Santiago
•6. Jovita Fuentas
•7. La Loba Negra
•8. Noli Me Tangere
•9. El Filibusterismo
•10, sung

47. LIZA MACUJA ELIZALDE
•Famous prima
balerina

48. •Philippine
Ballet

49. BALLET
•Thedanceformknownasballethasbeenused
tointerpretstoriesofallkinds.
•Itisaperformanceinwhichastoryistold
withoutwordsbyusingbodymovementsand
facialexpressions.Thelackofspokenwordsor
sunglyricsismorethanmadeupforbythe
creativemovementsandgesturesofthedancers.
Theperformanceisfurtherenhancedbycolorful
costumes,elaboratesets,visuallysuggestive
music,andsophisticatedchoreography.Original
Filipinoballetsvividlypresentfolktalesandlocal
fables.

50. BALLET
•AtypeofPerformancedanceoriginatedin
ItalianRenaissancecourtsofthe15
th
Century.Adanceformknownasballethas
beenusedtointerpretstoriesofallkinds.
•Itdoessobyallowingthecharactersto
comealive,notinspokendialogue,butin
bodymovementsorpantomine.

51. •WHAT ARE THE
ORIGINAL Filipino
Ballets ?

52. Tatlong kwento ni Lola Basyang
•A ballet adaptation of Severino Reyes
folktales Mga Kwento ni Lola Basyang. It
was meant to still and rekindle the interest
of Filipino Youth in the e bauty, richness,
and values found in the Philippine
literature.
•Thetypicalstorytellingsceneshowsa
grandmotherLolaBasyangonarocking
chair,withhergrandchildrengathered
aroundandlisteningtoherfascinating
tales.

53. 1. Ang kapatid ng Tatlong Marya
•Itisaboutahero’s
fantasticjourneyto
differentkingdomsin
pursuitof his
bewitchedsisters.

54. 2. ANG MAHIWAGANG BIYULIN
•LocalversionofthePied
Pipertalewherethe
main character
mesmerizeshisfollowers
throughthemusicofhis
violin.

55. 3. ANG PRINSIPE NG
MGA IBON
•Alovestorywhere
aprincessfallsin
lovewithabird.

56. TATLO PANG KWENTO NI LOLA
BASYANG
•1.ANGPALASYONGMGA
DWENDE
•-Aromanticadventureabout
heroinenamedYaniwhose
heartisasbeautifulasher
appearance.

57. 2. LABINDALAWANG MASASAYANG
PRINCESA
•Aromanticfantasyabout12
daughtersoftheking,the
princessessecretlyleavetheir
bedroomatnighttotravelto
anenchantedlandanddance
withtheprinces.

58. 3. ANTING-anting
•Ahorror-comedyin
whichthecowardly
heroHuantriesto
overcomehisfearsin
ordertowinhislove.

59. RAMA HARI
•TranslatedasKingRama,isthe
PhilippineadaptationoftheIndianepic
Ramayanasettomusic,dramaand
dance.ThestoryrevolvesaroundRama,
theavatar-anincarnationoftheHindu
godVishnu-andhiswifeSita.
•Theyarevanishedfromtheirkingdom
for14years,plottedbythemotherof
oneofRama’sfourbrotherstokeephim
frombecomingthenextKing.

61. •MUSICAL
PLAY

62. •WHAT IS
MUSICAL
PLAY?

63. MUSICAL PLAY
•Aformoftheatricalpresentationthat
iscomposedofacombinationofa
songs,spokendialogue,actingand
dancing.
•InthePhilippines,musicalplayis
morethanaBroadwayandtheWest
End,relyingmostlyonadaptationof
novels,literaryworks,orbiographical
sketchesoffamousartists.

64. •What are the
Philippine
musical play?

65. a. Andres Bonifacio : Ang dakilang
Anak pawis.
•A musical by Jerry Dadap written in 1980.
•The libretto is by Dionisio R. Salazar, a
Palanca award winning-playwright, and
leading poet Rogelio G. Mangahas.
•The play mains objective is to inspire the
audience to live a life of sacrifice. It
highlights is the extreme love for country
that made him sacrifice his life.

66. b. Atang Dulang May Musika
•AmusicalplaybyFloyQuintos,original
scoreandarrangerbyVonDeGuzman
anddirectedbyAlexanderCortez.Set
in1987,hermaindilemmaistoprotect
thesanctityandlegacyofherownmyth
againsttheencroachmentsofthe
modernworldandmassmedia.

67. c. Katy ! The Musical
•Itistwoactmusicalplay.Musicwas
writtenbyRyanCayabyabandastoryand
librettobyJoseJavierReyes.Thishighly
publishedstagemusicalbasedonthelife
ofKathydelaCruzwhowasconsideredte
QuennofPhilippinevaudavilleandjazz.
•Katywasthehighestpaidentertainerin
thecountry.Shesurvivedthejapanese
occupationofthesecondworldwar,a
philanderinghusbandwhonursedbotha
sickliverandafamilyofawedlock,and

68. d. Florante at Laura, The Musical
•ThepoemofFranciscoBalagtas-
Baltazar,madeintoaplaymadeby
BonifacioIlagan,underthewarring
moorsandChristiansandthe
intertwininglivesofaquartetofstar-
crossedloversFlorante,laura,Aladin
andFlerida.PresentedbyTanghalang
PilipinoatCCPLittleTheatrefromJuly
7-24,1988

69. e. Daragang Magayon
•A production