The "idea," the logical meaning, begins where the "image" leaves
off. Does this mean that the "idea" is wholly independent of the
"image"? Yes and no. The "idea" is independent of that which is
ordinarily regarded as the special characteristic of an "image,"
namely, its quality, its sense-content. That is to say, the "idea" is
independent of any particular "image," any special embodiment of
sense-content. Any image will do. As Mr. Bosanquet remarks in
comparing the psychical images that pass through our minds to a
store of signal flags:
Not only is it indifferent whether your signal flag of today is the same bit of cloth
that you hoisted yesterday, but also, no one knows or cares whether it is clean or
dirty, thick or thin, frayed or smooth, as long as it is distinctly legible as an
element of the signal code. Part of its content, of its attributes and relations, is a
fixed index which carries a distinct reference; all the rest is nothing to us, and,
except in a moment of idle curiosity, we are unaware that it exists.
[82]
On the other hand, the "idea" could not operate as an idea, could
not be in consciousness, save as it involves some imagery, however
old, dirty, thin, and frayed. Take the statement, "The angles of a
triangle are equal to two right angles." If the statement means
anything to a given individual, if it conveys an idea, it must
necessarily involve some form of imagery, some qualitative or
conscious content. But so far as the meaning is concerned, it is a
matter of complete indifference as to what qualities are involved.
These qualities may be in terms of visual, auditory, tactual,
kinæsthetic, or verbal imagery. The individual may visualize a
blackboard drawing of a triangle with its sides produced, or he may
imagine himself to be generating a triangle while revolving through
an angle of 180°. Any imagery anyone pleases may be employed, so
long as there goes with it somehow the idea of the relation of
equality between the angles of a triangle and two right angles. But
the conceptualist does not stop here. The act of judgment comes in
to affirm that the "idea" is no mere idea, but is a quality of the real.
"The act [of judgment] attaches the floating adjective [the idea, the
logical meaning] to the nature of the world, and, at the same time,
tells one it was there already."
[83]
The "idea," the logical meaning,