Q2 ARTS U1-MAPEH (MUSIC ARTS PE & HEALTH).pptx

PRESENTATION ARTS 1O

1. ART UNIT 1 MODERN AND CONTEMPORARY ARTS

2. LESSSON 1 Impressionism and Post-Impressionism

3. IMPRESSIONISM It was in 1874 a group of artists known as Anonymous Society of Painters, Sculptors, Printmaker, and others organized an art exhibition in Paris, France and launched a movement called Impressionism. Founding members: Claude Monet Edgar Degas Camille Pissaro

4. The term Impressionism was coined from the title of French painter Claude Monet’s painting, the Impression: Soleil levant (1872).

5. The Barque of Dante ( 1822 ) Eugene Delacroix Boating ( 1874 ) Edouard Manet ELEMENTS AND DESIGN

6. Dancers in Blue ( 1890 ) Edgar Degas Impressionism exhibited “everyday” scenarios as subject. They prefer capturing common life scenarios, household objects, landscaped and seascapes, structures like buildings, cafes, and common houses. They can also show common people doing their everyday tasks, at work or at leisure, or even when doing nothing at all. Impressionist art is not made to look beautiful or lifelike. The Subjects

7. The Impressionists preferred to paint outside that in their typical art studio, and this made them different from the conventional painters. They found out that they could best capture the everchanging effects of light on color if they painted outside in a natural light setting. Church and Farm, Eragny ( 1895 ) Camille Pissaro Luncheon of the Boating Party( 1881 ) Auguste Renoir The Location

8. Les raboteurs de Parquet( 1875 ) Gustave Caillebotte The Impressionists moved away from the formal, structured style in positioning their subjects. They preferred their subject to be positioned in an unusual angle, sizes can be out of proportion, off-centered, and allowed empty spaces on the canvas. Composition

9. The Girl Covered by the Sun( 1888 ) Valentin Serov During the Impressionist period, photography was in its initial stages. It gained popularity that inspired the Impressionists to capturer momentary day-to-day movement or landscapes. If the camera snapshots provided objective true-to-life images or with exact representations, the Impressionist painters were able to offer a subjective view of their subjects in which they can express their personal perceptions. Representation

10. POST-IMPRESSIONISM The Post-Impressionist movement in France both represented an extension of Impressionism and still, a rejection of that style’s inherent limitations. The term was coined by the English art critic Roger Fry based from the artworks of such nineteenth century painters such as Paul Cezanne, Vincent Van Gogh, Paul Gauguin, George Seurat, Henri de Toulouse-Lautrec , and others. Paul Cezanne Vincent Van Gogh Paul Gauguin George Seurat

11. Paul Cezzane Was a distinguished French artist and considered to be a significant link between Impressionism and the Cubism. His art ideas include: Regard color, line, and form in creating an artwork. Practice new kind of analytical discipline. Apply colors to the canvas in a series of distinct and systematic brushstrokes as if the artist was constructing a picture rather than a painting. Create a harmony similar with nature.

12. Vincent Van Gogh Was a Post-Impressionist painter from The Netherlands. His artworks were noteworthy of their strong, heavy brush strokes, intense emotions and colors that radiate energy. In 1882, Van Gogh began his lithography. His artwork entitled, The Potato Eaters were intended for the marketplace and made a lithograph of the piece so that it reached a wider audience and for his attempt to earn some money.

13. He was also hugely influenced by Japanese prints for he painted dark outlines around object. He filled these in with areas of thick color. His choice of colors varied with his moods and occasionally he deliberately restricted his palette.

14. Pointillism – a technique of painting which small, distinct dots of colors are applied in patterns to form an image.

15. Impasto – a technique used in painting, where paint is laid on an area of the surface very thickly; usually thick enough that the brush or painting-knife strokes are visible and sometimes even directly squeezed from the paint tube.

16. LESSSON 2 Modern and Contemporary Arts Skrik Edvard Munch

17. EXPRESSIONISM Is an artistic style in which an artist attempts to portray not the objective reality but more on the subjective emotions and responses that objects, events, or situations arouse in him/her. Use intense colors, wavy linear brushstrokes that suggests agitation, and space that depicts of a muddled atmosphere. Shows distortion, exaggeration, primitivism, and fantasy through the vivid, jarring violent, or dynamic application of formal elements. Different from Impressionism because its goals were not to duplicate the impression suggested by the surrounding world, rather to strongly impose the artist’s own sensibility to his/her world’s representation.

18. Neo-Primitivism A new movement or genre in art that trend in Russian painting in the early twentieth century. Influences from the Western avant-garde were combined in a deliberately crude way with features derivative from the peasant art, lubki , and other aspects of Russia’s artistic heritage.

19. Fauvism Was the first of the avant-garde movements that flourished in France in the early years of the twentieth century. It is the style of les Fauves , a loose group of early twentieth-century modern artists whose works emphasized painterly qualities and strong color over the representational or realistic values retained by Impressionism.

20. Dadaism Was a literary and artistic movement that originated in Europe during the time of the horrors of World War I. the repulsion of war brought several artists, writers, and intellectuals together. Only one rule: NEVER FOLLOW ANY RULES. Its art was intended to provoke an emotional reaction from the viewer. It was nonsensical to the point of being whimsical. No predominant mediums and styles. They used assemblage, collage, photomontage and the use of ready-made objects. Characteristics:

21. Cut with the Kitchen Knife through the Beer-Belly of the Weimar Republic Hannah Höch is known for her collages and photomontages out of newspaper and magazine clippings. She also integrated the use of sewing and craft design.

22. Surrealism Exhibits principles, ideals, or practices of producing fantastic or incongruous imagery or effects in art, literature, film, or theater by means of unnatural or irrational juxtapositions and combinations. The persistence of Memory ( 1931 ) Salvador Dali

23. Social Realism Is an artistic and political movement that flourished primarily during the 1920s and 1930s. The Social Realists produced figurative and realistic images of the “masses,” a term that covered the lower and working classes, the laboreres wo were into unions, and the politically marginalized.

24. LESSSON 3 Arts In The Era of Modernity Guernica (1937) by Pablo Picasso

25. Abstract Expressionism For the Abstractionists, the canvas happened not just as a space but an arena in which they will act. What was going on to their canvas was not exactly a picture but an event. ABSTRACT EXPRESSIONISM Happened during the post World War II art movement. Developed in NYC in the 1940’s. 1 st American movement that achieved international influence.

26. Cubism Was initiated by the retrospection of Paul Cezanne’s style of using geometric forms to exhibit simplification of nature. Bowl of Fruit, Violin, and Bottle (1914) Girl with a Mandolin (1910)

27. Futurism Or Futurismo was an artistic and social movement originated in Italy in the early twentieth century. The designs are created and inspired by various medium of art like painting, sculpture, ceramics, graphic design, industrial design, interior design, theatre, film, fashion, textiles, music, architecture, and even futurist meals. Unique Forms of Continuity in Space (1913) Battle of Lights, Coney Island, Mardi Gras (1913)

28. Neo-Dada This art style and movement are known for their usage of mass media and found objects. They rebelled against the emotion paintings of the Abstract Expressionists. Neo-Dada paved way for new art styles like Pop art and Op art. Monogram (1954-59)

29. Pop Art An art movement that emerged in the middle of 1950’s in Great Britain and in the late 1950’s in the United States. It engages the aspects of mass culture such as advertising, comic books, and other ordinary cultural objects.

30. Op Art It popular because of its artistic representation that through art, eye can be fooled. The Op artist realized that by repeating elements of art such as lines and shapes, and to form a pattern, they could create an illusion of depth and movement.

31. Installation Art It is an artistic genre of three-dimensional works that often are often site-specific and design to transform the perception of space. Whatever message the artists need to convey can be used as an element in an installation.

32. Performance Art It is a modern form of art wherein the actions of an individual or group at a particular place and in a particular time establish the artwork. It can happen anywhere, at any time, for an unspecified duration. It involves four basic elements: time, space, the artist/s’ body and a relationship between the artist and the audience.