Quarter 1 MAPEH- Arts Lesson, Modern Art.pptx

Lesson: Impressionism, Expressionism, Pop Art, Instrallation Art, Performance Art

1. QUARTER I: MODERN ART

2. MODERN ARTIST Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art.

3. MODERN ART Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era.

4. IMPRESSIONISM: ORIGINS OF THE MOVEMENT Impressionism was an art movement that emerged in the second half of the 19th century among a group of Paris-based artists.

5. IMPRESSIONISM The name impressionism was coined from the title of a work by French painter Claude Monet , Impression, soleil levant (in English, Impression, Sunrise).

6. IMPRESSIONISM The term precisely captured what this group of artists sought to represent in their works: the viewer’s momentary “impression” of an image.

7. THE INFLUENCE OF DELACROIX Impressionism owed its inspiration to earlier masters. One major influence was the work of French painter Eugène Delacroix.

8. EUGÈNE DELACROIX Delacroix was admired by impressionist artist for his use of expressive brushstrokes, his emphasis on movement rather than on clarity of form, and most of all his study of the optical effects of color.

9. DISTINCT CHARACTERISTICS OF IMPRESSIONISM 1. Color and Light Short broken strokes Pure unmixed colors side by side Freely brushed colors (convey visual effect)

10. DISTINCT CHARACTERISTICS OF IMPRESSIONISM 2. Everyday Subjects - Scenes of life - Household objects - Landscapes and Seascapes - Houses, Cafes, Buildings

11. DISTINCT CHARACTERISTICS OF IMPRESSIONISM 3. Painting Outdoors The impressionists found that they could best capture the ever-changing effects of light on color by painting outdoors in natural light.

12. DISTINCT CHARACTERISTICS OF IMPRESSIONISM 4. Open Composition They experimented with unusual visual angles, sizes of objects that appeared out of proportion, off-center placement, and empty spaces on the canvas.

13. FAMOUS IMPRESSIONIST ARTIST

14. EDUARD MANET was one of the first 19th century artists to depict modern-life subjects. He was a key figure in the transition from realism to impressionism.

15. EDUARD MANET WORKS

16. CLAUDE MONET He was one of the founders of the impressionist movement He was considered the most influential figure in the movement.

17. CLAUDE MONET Monet is best known for his landscape paintings, particularly those depicting his beloved flower gardens and water lily ponds at his home in Giverny.

18. CLAUDE MONET WORKS

19. AUGUSTE RENOIR was one of the central figures of the impressionist movement. His early works were snapshots of real life, full of sparkling color and light.

20. AUGUSTE RENOIR Renoir broke away from the impressionist movement to apply a more disciplined, formal technique to portraits of actual people and figure paintings.

21. AUGUSTE RENOIR WORKS

22. POST-IMPRESSIONISM Post-Impressionist artist expanded and experimented with these in bold new ways, like using a geometric approach, fragmenting objects and distorting people’s faces and body parts , and applying colors that were not necessarily realistic or natural.

23. FAMOUS POST-IMPRESSIONIST ARTIST

24. PAUL CEZANNE His work exemplified the transition from late 19th-century impressionism to a new and radically different world of art in the 20th century.

25. PAUL CEZANNE WORKS

26. VINCENT VAN GOGH His works were remarkable for their strong, heavy brush strokes, intense emotions , and colors that appeared to almost pulsate with energy. his works become one among the most recognized in the world.

27. VINCENT VAN GOGH WORKS

28. Expressionism: A Bold New Movement

29. Expressionist artists created works with more emotional force, rather than with realistic or natural images. EXPRESSIONISM EXPRESSIONISM they used distorted outlines, applied strong colors, and exaggerated forms.

30. They worked more with their imagination and feelings EXPRESSIONISM

31. Among the various styles that arose within the expressionist art movements were: neoprimitivism fauvism dadaism surrealism social realism

32. was an art style that incorporated elements from the native arts of the South Sea Islanders and t he wood carvings of African tribes which suddenly became popular at that time. NEOPRIMITIVISM

33. Among the Western artists who adapted these elements was Amedeo Modigliani. He used oval faces and elongated shapes of African art in both his sculptures and paintings. NEOPRIMITIVISM

34. Its name was derived from les fauves (“wild beasts”), referring to the group of French expressionist painters who painted in this style. Fauvism was a style that used bold, vibrant colors and visual distortions. FAUVISM

35. HENRI MATISSE Henri Matisse, French painter who was the leader of the Fauvist movement about 1900.

36. was a style characterized by dream fantasies, memory images, and visual tricks and surprises. They chose the child’s term for hobbyhorse, dada, to refer to their new “non-style.” DADAISM

37. the movement arose from the pain that a group of European artists felt after the suffering brought by World War I. DADAISM

38. Giorgio de Chirico his signature images of empty plazas

39. Surrealism was a style that depicted an illogical, subconscious dream world beyond the logical, conscious, physical one. Its name came from the term “super realism,” SURREALISM

40. Many surrealist works depicted morbid or gloomy subjects , as in those by Salvador Dali. Others were quite playful and even humorous, such as those by Paul Klee and Joan Miro. SURREALISM

41. artists used their works to protest against the injustices, inequalities, immorality, and ugliness of the human condition. SOCIAL REALISM

42. Ben Shahn’s Miners’ Wives , for example, spoke out against the hazardous conditions faced by coal miners, after a tragic accident killed 111 workers in Illinois in 1947.

43. Pablo Picasso’s Guernica has been recognized as the most monumental and comprehensive statement of social realism against the brutality of war.

44. Guernica combined artistic elements of exaggeration, distortion, and shock technique of expressionism. At the same time, it had elements of the emerging style that would later be known as cubism.

45. ABSTRACTIONISM

46. It had the same spirit of freedom of expression and openness that characterized life in the 20th century, but it differed from expressionism in certain ways. ABSTRACTIONISM

47. While expressionism was emotional, abstractionism was logical and rational. It involved analyzing, detaching, selecting, and simplifying. ABSTRACTIONISM

48. GROUPED UNDER ABSTRACTIONISM ARE THE FOLLOWING ART STYLES:  cubism  futurism mechanical style non-objectivism

49. The cubist style derived its name from the cube, a three- dimensional geometric figure composed of strictly measured lines, planes, and angles CUBISM

50. Human figures as well were often represented with facial features and body parts shown both frontally and from a side angle at once. CUBISM

51. the futurists created art for a fast-paced, machine-propelled age. They admired the motion, force, speed, and strength of mechanical forms. 2. FUTURISM

52. In this style, basic forms such as planes, cones, spheres, and cylinders all fit together precisely and neatly in their appointed places. 3. MECHANICAL STYLE

53. From the very term “non-object,” works in this style did not make use of figures or even representations of figures. 4. NON OBJECTIVISM

54. Lines, shapes, and colors were used in a cool, impersonal approach that aimed for balance, unity, and stability. 4. NON OBJECTIVISM

55. POP ART

56. They use of easily recognizable objects and images from the emerging consumer society Their inspirations were the celebrities, advertisements, billboards, and comic strips that were becoming commonplace at that time. POP ART

57. Roy Lichtenstein (1923-1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in this new art movement

58. a form of “action painting,” with the action taking place in the viewer’s eye. In op art, lines, spaces, and colors were precisely planned and positioned to give the illusion of movement. OP ART

59. Contemporary Arts Forms: Installation Art and Performance Art

60. INSTALLATION ARTS Installation art is a contemporary art form that uses sculptural materials and other media to modify the way the viewer experiences a particular space.

61. INSTALLATION ARTS Materials used in today’s installation art range from everyday items and natural materials to new media such as video, sound, performance, and computers.

62. PERFORMANCE ART Performance art is a form of modern art in which the actions of an individual or a group at a particular place and in a particular time constitute the work.

63. PERFORMANCE ART It can be any situation that involves four basic elements: Time Space The performer’s body a relationship between performer and audience.

64. REFERENCE

65. QUARTER I: MODERN ART